May 13, 2025
Marketing Your Haunted Attraction: Full Haunter's Toolbox Masterclass

Today we're playing the FULL audio from a marketing masterclass I recently hosted for Haunter's Toolbox, answering YOUR QUESTIONS on marketing strategies for haunted attractions. This is the complete, unedited recording! If you're a haunt owner or operator looking to boost ticket sales and reach new audiences, you'll find tactics you can immediately implement. Examples from Hush, Woods of Terror, and Transworld included.
Haunter's Toolbox hosts monthly sessions at haunterstoolbox.com, and you can watch this video versionhere.
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Proven strategies to boost your haunts ticket sales that's coming
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up on today's show. Welcome to the show. I'm Philip
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on the HN Show. We bring you the news and
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information you need to prepare for Halloween. The show is
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just one small part of what we do, and the
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best place to find everything is our free weekly email newsletter.
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The link is in our show notes and on our website.
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Today we're playing the full audio recording from the marketing
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masterclass I recently hosted for Haunters Toolbox, answering your questions
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on marketing strategies for haunted attractions. This is the complete
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unedited recording. If you're a haunt owner or operator looking
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to boost ticket sales and reach new audiences, you'll find
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tactics that you can implement immediately. Haunters Toolbox hosts these
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valuable sessions monthly, covering everything but marketing to operations, staffing,
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and more. I typically join them once a year, but
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they feature different industry experts every month. If you want
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to participate in future discussions and ask your own questions,
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head over to hunters toolbox dot com to join our community. Okay,
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here we go.
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So that's watch and who you are what you do
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and what you've been up to over the past year.
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All right, hello everyone, I'm Philip. I run the Haunted
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Attraction Network. I'm also the CEO of Gantamighty and Controls,
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and I co host Green Tagged theme Park and thirty,
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a weekly theme park insights podcast with Scott Swinson, who
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many of you also know. And I also am a
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freelance journalist and marketer, so I do freelance services. I
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have Haunt clients. I also contribute to a Trash's magazine
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and park magazine like those, you know, all that kind
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of stuff.
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Yeah, so it's just been busy the last few year.
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Obviously the Haunt season, you know, I did went out
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and did video content, you know, and reporting content all
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over the world in you know, the US and I
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guess the US and Asia and a little bit of Canada,
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you know, so maybe not Europe. So kind of gave
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Europe a break and went to those other areas to
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do reporting on Halloween this year. And then I just
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we went through trans World, you know, I also work
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for trans World. I helped them out a little bit
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with their media and content, and so I also did
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produce the Oscars this year. The HAA Awards, and so
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I've just been it feels like things did not get
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any less busy. So it was like it was like
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Halloween season and you were like, you know, every day
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it's like you stock up, I just buy palettes of
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monster and then you you know, like noodles and you
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get through like Haunt season, right, and then like after
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Haunt season, you know, I die for a month or so,
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you know, you get through that.
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You're in the monster, are you?
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Well? You know I tried it, but the problem is
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you you can't heat up the monster. That's the real problem,
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you know, like take it separate, best, best serve cold.
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Let me tell you.
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Yeah, So Haunt season, then Christmas Haunt season, right, and
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then you get a little bit of a break kind
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of in January.
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But then it's TRANSWORLT prep.
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And then since TRANSORLT has just been like editing, you know, NonStop,
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and then you know, keeping up with all the other
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content and the jobs and all that.
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So, uh yeah, a lot, a lot of things.
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How much video do you produce on for any specific
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Haunt on average?
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Oh my god, I have no idea.
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I think it really depends on the individual project, right,
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So I went out with Woods of Terror and did
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some work with Erica and the team there, and that
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one was primarily you know, like media services and whatnot.
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But with Hush, which is one of my long term clients,
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that is like they want like a vertical video every day,
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you know, like that they're open and so that's like
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a lot of vertical content, and they also want to
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you know, horizontal content and influencer wrangling and pr. I
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mean for them, it's like it's like the whole thing.
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So really it really just ranges. If I'm just going
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to cover them myself, then typically it will be like
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a YouTube horizontal video and then it will be accompanied
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by you know, maybe two or three vertical videos.
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So I think each haunt you're looking at like.
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At least one long form video and then multiple short
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form video assets.
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Well, now you're talking about influencer wrangling, How how do
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you go about doing that? And is that something that
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you would recommend just somebody at a haunt doing themselves.
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Or mm that is complicated. It might be it might
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be something like it might be if anyone in.
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The chat has a specific question about it, it might be
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a good way to answer their question. At the same
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time as I'm explaining this, So please put in questions
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if you have them. But the influencer topic is interesting
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because I think in the beginning, I think I don't
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know it. Just I always tell people to take a
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few steps back and remember that marketing has not changed.
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You know, it looks like everything has changed, but really
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nothing's changed. It's like we talked about with haunted houses. Right,
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Like haunted houses, it's still about the physical environment and
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the interaction between the guests and the story and the actors.
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Right, it's all that whole. It's still that physical thing.
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It's been that way, you know, it's been that way
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for decades, right. I think the same thing is true
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with marketing. The tactics are new, but it's the same
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idea of marketing is making sure that you get your
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message in front of the right person at the right time.
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And the medium maybe has changed, And so I think
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I think that people think of like the influencer thing.
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I don't know what preconceptions they have, but I think
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at this point what you should be thinking about with
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influencers is you treat them like you would paid media effectively.
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And so whether that be that you're paying them a fee,
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and you're putting them under a contract, which is generally
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what I recommend. Put them under a contract and put
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them in some sort of paid agreement because then you
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can utilize the assets that they make from you. Otherwise
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then you would be paying in terms of just like
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hosting them, right, I mean, so there's some sort of
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like you think of them in some sort of paid way,
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you know, in the same way that in the beginning,
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oh my god, like fifteen years ago or something. I mean,
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you could just post stuff organically on Facebook and on
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the other platforms, and that's not the case anymore. Like
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anything that you're doing is paid. Like not only are
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you you know, you're paying your team member and you're
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paying in some way a staff cost to create the content.
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But then ideally you would be also paying to take
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the best performing content and turn it into ads. Because
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still the best converting thing you have out there is
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going to be your paid average tizing, like your your
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search query words. You know, you're turning your ad into
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it taking something and turning it into an ad on
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TikTok and using you know, cart purchasing tokens all that, Like,
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that's still going to be.
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That's that's still.
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Going to be like your highest performing and I think
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influencing from that you you it depends on your goals
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as a platform, because influencers are all over the board,
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right just like again just we take it back to
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our original marketing right, right person, right time?
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Who is the right person right? What is the right time?
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That's the who the right person is depends on the
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goal that you have, you know, and so if the
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goal is to sell tickets, so then you know that
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that's very different from the goal of just getting brand awareness.
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So I think that all then trickles down to the influencers,
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which is just one tactic, and that would be you
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know that that would be like, are you going to
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try and get trash three sixty that's not really going
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to sell your tickets, but.
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It's going to get your brand awareness, you know.
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Or you're going to try and get the local person
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who has a much much smaller audience, but the people
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are actually going to buy you a ticket and go.
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So it's you're lit. So oh, I see some questions, Okay,
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so oh yes.
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One from America. Yeah, an average range for rates for
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contracting influencers that they don't have personal rates set up.
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Yeah, So.
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There's not an easy answer to this because I think
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a lot of people are still trying to figure it out,
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and also because the metrics keep changing. Right, So even
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just a few years ago, it used to be you
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could judge and influence your based off of their audience size,
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and that's no longer the case. I mean, that's like
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i'd say in the marketing world, that's relatively old news.
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I mean, that's been about two years old. But I
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think now I think people are more and more people
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are kind of waking up to that. But effectively, what
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happened is you had they the algorithms have been changing,
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and there's a lot of reasons they've been changing. But basically,
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I'll give you a brief background. So, like it used
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to be, right that you would add a friend on
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Facebook and then you would see the friends right that
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you are friends with, you would see their statuses and
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similar on YouTube, you know, you would subscribe to a
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channel and then you would see stuff based on what
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you subscribe to. But there's a notion that started off
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in YouTube and then kind of flowed into the rest
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of the media ecosystem. The notion is that instead of
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you know, basically they could tell you what you like
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more than you can tell them, right, and that became
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the notion.
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It became more like.
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Less of you curating your feed and them deciding what they.
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Think you like and putting that in front of your feed.
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So you know, YouTube has different words for this, but
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basically they're calling it like the right video for the
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right person is kind of what they're they redid it to.
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So they're kind of like trying to show you the
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right video.
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So no, so that would mean no two persons, like
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you know, video suggestions or feeds are the same. So
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now that that's trickled through like all immediate ecosystem, you
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can see now why numbers are less important, which going
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back to influencers, which is what makes it difficult actually
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to find a price and to understand which influencers to
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work with because you can't really use their subscriber count
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as a metric, you know, so you're really you're trying
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to figure out you can use engagement. But even then,
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like I think a lot of people try and tout
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engagement like I don't really care that somebody comments on
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their video. I care they buy a ticket, right, And
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these are not the same thing necessarily, right. So so
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the so the short answer is Erica, that it's like
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it's hard, and I think that you need to have
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a budget on on your own side, and then kind
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of you can again the art of negotiation. I would
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have a budget that you kind of have internally, and
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then I would maybe, like, you know, if they don't
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have a number, you could offer a number. This may
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be like half of the budget, and that gives you
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room to negotiate and then you can kind of like
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you know, see if they hedge it up or down.
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But ultimately again back to your media goals, the budget
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to work for you. I can give you examples. That's
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as best as I can do. So for example, at Hush,
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there's several local influencers that I love working with, and
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my criteria for them is do they literally live in
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the metro area that we are trying to get people from,
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Like that they have to live in that area. Their
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content has to be all about that area. It's it's
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okay if it's food, right, it's okay. If it's just vibes,
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it's okay if it's whatever. But like because we have
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bars and so that's what I'm looking for and then
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I'm looking to see that they create original content that
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has some sort of like not necessarily a narrative, but
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like basically I want to know they're going to say
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we're here at hush Haunt, right, because some influencers just
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like they post random shit.
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You have no ideas. I don't know if I can scared,
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but they.
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Post random stuff you don't know like where it is
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or whatever. So I want these things. I want the
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quality of the content. I want them to be in
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the area, and I do want them to have some
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sort of like baseline engagement.
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I don't care about their numbers.
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I care more that they're getting views or they're getting
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views and that whether or not the comments or whatever.
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And then you just test them.
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And you can do this by giving them a discount code,
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or you can give them a link, or you can
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just set up a schedule because and you could say
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