Oct. 28, 2023
Terror Roulette, An Intimate Horror Experience, Premiers in Chicagoland

Terror Roulette is a new, intimate horror experience at The Arboretum of South Barrington in South Barrington, IL. A partnership between IWG and The Arboretum of South Barrington, this event thrusts participants wishing to test their fate into an...
Terror Roulette is a new, intimate horror experience at The Arboretum of South Barrington in South Barrington, IL. A partnership between IWG and The Arboretum of South Barrington, this event thrusts participants wishing to test their fate into an interactive story where they become the selected victims of a bloodthirsty secret society.
WEBVTT
1
00:00:08.560 --> 00:00:14.359
Terror Roulette, a new interactive horror
experience has debuted this fall in the Chicago
2
00:00:14.400 --> 00:00:22.719
area. That's coming up on today's
show from the Haunted Attraction Network. I'm
3
00:00:22.760 --> 00:00:26.239
Philip and this is our sixty one
day Hantedon where we're counting down to Halloween
4
00:00:26.280 --> 00:00:30.120
by celebrating Haunted houses daily, the
videos, podcasts, and thep in person
5
00:00:30.199 --> 00:00:34.119
experiences. Since this podcast is only
one part of the Hauntedthon, the best
6
00:00:34.119 --> 00:00:37.560
way to follow everything is by subscribing
to our newsletter or by going to our
7
00:00:37.600 --> 00:00:42.560
website at Haunted Attraction Network dot com
to see the list of all the new
8
00:00:42.679 --> 00:00:46.600
content we have posting. And remember
that the best way you can support us
9
00:00:46.600 --> 00:00:50.399
as Halloween season is by sharing our
Hauntedon with someone you think will enjoy it.
10
00:00:51.439 --> 00:00:57.600
Okay. Terror Roulette is a new
intimate, immersive horror experience that debuted
11
00:00:57.600 --> 00:01:03.319
this season in the Chicagoland area.
Groups of eight participants are thrust into an
12
00:01:03.319 --> 00:01:10.519
interactive story where they become the selecting
victims of a bloodthirsty secret society. At
13
00:01:10.519 --> 00:01:14.719
the heart of this bone chilling experience
is the enigmatic villain known as the Dealer,
14
00:01:14.879 --> 00:01:19.359
who literally holds all the cards.
The Dealer presides over a sinister realm
15
00:01:19.519 --> 00:01:23.239
filled with a host of maniacal slayers, each with their own killer specialty.
16
00:01:23.760 --> 00:01:29.640
Terror Roulette debuted at the Arboretom of
South Barrington and is a partnership between the
17
00:01:29.719 --> 00:01:34.280
Arboretum and IWG Entertainment. So today
we're going to sit down with Jeffrey from
18
00:01:34.400 --> 00:01:40.680
IWG to discuss what it was like
creating this event and working with a partner
19
00:01:41.079 --> 00:01:46.599
like the Arboretom. Enjoy. My
name is Jeffrey Holmes. I'm the creative
20
00:01:46.599 --> 00:01:51.879
principle for Iron Wooden Glitter, which
we sometimes go by IWG Productions, and
21
00:01:51.920 --> 00:01:57.319
we are a turnkey seasonal attraction developer, so we design, fabricate, install,
22
00:01:57.519 --> 00:02:01.280
operate. And you are developing a
new haunted attraction in Barrington this year,
23
00:02:01.599 --> 00:02:06.560
Yes, we are. We are
developing a brand new haunt concept.
24
00:02:06.680 --> 00:02:09.479
It's called terror Roulette and it's going
to be in South Barrington, Illinois,
25
00:02:09.719 --> 00:02:16.479
in the Arboretum of South Barrington.
So terror Roulette is a secret society of
26
00:02:16.719 --> 00:02:23.199
underground serial killers that have been cultivated
and brought together by the dealer and under
27
00:02:23.199 --> 00:02:27.919
the guise of going to a CD
bar, guests are going to be let's
28
00:02:27.919 --> 00:02:34.960
call it earmarked for a special intimate
serial killer interaction with a few of our
29
00:02:37.120 --> 00:02:42.599
collection. Let's call it. It's
a unique haunt in that your groupings are
30
00:02:42.639 --> 00:02:45.479
malleable. So we're going to start
you as a group of eight, but
31
00:02:45.479 --> 00:02:47.680
that doesn't mean you're going to end
as a group of eight, just depending
32
00:02:47.680 --> 00:02:52.800
on which serial killer found you most
enticing that you might find that your path
33
00:02:52.919 --> 00:02:59.479
diverges from your friends. Tell me
how you landed on that kind of mixing
34
00:02:59.680 --> 00:03:04.599
of immersive and regular traditional haunts.
You definitely use the right word immersive,
35
00:03:04.719 --> 00:03:07.919
right. We really wanted to find
that balance between immersive theater and traditional haunt.
36
00:03:09.000 --> 00:03:12.879
There are aspects of haunt that we
love, but there's aspects of haunt
37
00:03:12.919 --> 00:03:15.280
that we think can be improved upon. For me personally, I really wanted
38
00:03:15.280 --> 00:03:21.120
to find a way to create a
personal experience, something where the actor had
39
00:03:21.199 --> 00:03:25.800
a moment to really engage with you, and to be able to create terror
40
00:03:27.080 --> 00:03:30.759
that is more psychological and more practical. A lot of the directive that we
41
00:03:30.840 --> 00:03:37.080
received in starting the design was to
find a way to make it really terrifying
42
00:03:37.439 --> 00:03:40.800
and to find terror that is real. There are some people are afraid of
43
00:03:40.840 --> 00:03:45.280
ghosts, and some people are afraid
of zombies. But if I can find
44
00:03:45.280 --> 00:03:50.599
something that you could actually encounter in
the real world and magnify that in this
45
00:03:50.759 --> 00:03:54.759
haunt, there's no escaping that,
there's no suspension of disbelief because what we're
46
00:03:54.800 --> 00:04:00.319
showing you is genuine. Yes,
it's an act, it's fabricated, it
47
00:04:00.400 --> 00:04:04.159
could happen in real life, and
there's nothing more terrifying than that. Yeah,
48
00:04:04.520 --> 00:04:11.240
why is the reason you're focusing on
the individual interaction to elicit that that
49
00:04:11.280 --> 00:04:15.120
emotion from people? Is that what
we're trying? I think it's a combination.
50
00:04:15.680 --> 00:04:18.199
I think on one hand, we
wanted to bring something new and innovative
51
00:04:18.519 --> 00:04:23.759
because Chicago is a wonderful market,
but it's also a saturated market, so
52
00:04:23.800 --> 00:04:27.240
we wanted to find a way that
we could truly differentiate ourselves. But also,
53
00:04:27.360 --> 00:04:30.680
yes, our directive was create something
truly terrifying, and so we dug
54
00:04:30.720 --> 00:04:35.600
deep to say, Okay, what
is truly terrifying? And reality can be
55
00:04:35.680 --> 00:04:41.120
quite terrifying. I know that you
all didn't start doing auditions until back in
56
00:04:41.439 --> 00:04:45.680
June, and then you started building
shortly after that. That's a short window
57
00:04:45.839 --> 00:04:49.920
for this new experience. Tell me
about that. Tell me about that.
58
00:04:50.399 --> 00:04:54.800
Sure, when you actually start to
build the Haunt, you need to have
59
00:04:54.839 --> 00:04:59.040
a really good idea what you're doing
right. There's nothing worse than starting to
60
00:04:59.040 --> 00:05:02.279
build something and then suddenly it's changing. Yes, we definitely auditions were in
61
00:05:02.360 --> 00:05:08.240
June. We had amazing outcome,
some really incredibly talented people. You just
62
00:05:08.319 --> 00:05:10.639
wait till you see them. They
are so good. And yeah, the
63
00:05:10.680 --> 00:05:15.480
build. The audition process and the
build process are relatively simultaneous. But the
64
00:05:15.120 --> 00:05:19.759
actual development of the Haunt has been
going on for over a year now.
65
00:05:20.079 --> 00:05:25.959
There has been ideation and rewrite and
play testing of how could this actually work.
66
00:05:26.279 --> 00:05:30.839
Yes, we are We definitely had
a fast build, but it is
67
00:05:30.040 --> 00:05:34.040
it's a very focused build and so
what is really refined to what we want
68
00:05:34.079 --> 00:05:39.160
to achieve. You come from a
production company, basically, it's very different
69
00:05:39.240 --> 00:05:43.920
for a production company to become an
operator. Tell me about that decision.
70
00:05:45.279 --> 00:05:50.360
We had a really great partnership opportunity
here in Chicago, and part of that
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00:05:51.040 --> 00:05:57.879
agreement was that we would also operate. And we have an amazing staff that's
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00:05:58.000 --> 00:06:02.199
led by Jimmy Langa, who came
from some other operations, has done some
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00:06:02.240 --> 00:06:08.879
incredible things. Everyone in our company
has years of experience in all aspects of
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00:06:08.959 --> 00:06:13.319
the project. For us, it
really wasn't much different it is. You're
75
00:06:13.360 --> 00:06:17.120
right, it is unusual, but
we are very our talents are very wide.
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00:06:17.240 --> 00:06:23.360
We can take a project from just
creative leadership all the way through turnkey
77
00:06:23.759 --> 00:06:28.800
install and operation and everything in between, from design to fabrication to any kind
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00:06:28.839 --> 00:06:32.519
of IP development. For us,
it really wasn't that big of a deal.
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00:06:32.759 --> 00:06:36.439
We're more excited about the uniqueness of
the project. It's something that frankly
80
00:06:36.480 --> 00:06:41.680
hasn't really been done before. When
did you make the decision? I understand
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00:06:41.959 --> 00:06:43.920
we have a partner here and you
have all that kind of stuff, but
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00:06:44.040 --> 00:06:47.800
like, how did you make the
decision? What was the moment where you
83
00:06:47.839 --> 00:06:51.360
were like, we're going to do
a haunt. We were invited to have
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00:06:51.399 --> 00:06:56.759
a conversation probably a year and a
half ago, and so we flew out
85
00:06:56.839 --> 00:07:03.920
and we had a conversation about both
creative desires and business desires, and we
86
00:07:04.040 --> 00:07:08.879
use that conversation as an opportunity to
say, Okay, what is feasible?
87
00:07:09.000 --> 00:07:12.959
What is possible? Our company always
starts with what's called the concept and feasibility
88
00:07:12.959 --> 00:07:16.199
study. We always look at all, right, do you have a vision
89
00:07:16.920 --> 00:07:20.079
and if you do, what would
it take to create that vision and is
90
00:07:20.079 --> 00:07:24.040
it worth it to you or if
you don't. Sometimes I just want a
91
00:07:24.079 --> 00:07:27.000
thing we come and look at and
go all right, what is possible for
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00:07:27.079 --> 00:07:30.560
a certain budget or a certain area. So we did a lot of early
93
00:07:30.639 --> 00:07:36.560
research to help show our now partner, is what they want feasible? Is
94
00:07:36.600 --> 00:07:41.720
it going to generate the attendance that
they want? Does the budget they want
95
00:07:41.759 --> 00:07:46.399
to spend match the outcome they're hoping
for? And so as we develop that,
96
00:07:46.639 --> 00:07:48.240
we get more excited about the project, they get more excited about the
97
00:07:48.240 --> 00:07:56.759
project. And then we ultimately presented
a concept and a feasibility of saying this
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00:07:56.800 --> 00:07:59.639
is what it would take to do
it, and we got we were greenlit.
99
00:08:00.199 --> 00:08:01.519
From that point on, it was
all it was full steam ahead.
100
00:08:03.319 --> 00:08:07.360
We're working with the Arvorinum of South
Barrington and so it's their property they're building,
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00:08:07.600 --> 00:08:13.000
and they are awesome. They are
some of the greatest partners to work
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00:08:13.000 --> 00:08:16.839
with. They are so enthusiastic,
so helpful, and you mentioned the thing
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00:08:16.879 --> 00:08:20.680
about Chicago, right, They know
Chicago and so working with them has been
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00:08:20.680 --> 00:08:26.240
an absolute joy. Tarror Lette opens
on September twenty first, and this open
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00:08:26.319 --> 00:08:33.320
Thursdays through Sundays. Get your tickets
online at tarrorulett dot com. In all
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00:08:33.320 --> 00:08:37.440
serious is though tarror Let is an
exciting attraction and we really want people to
107
00:08:37.440 --> 00:08:41.080
come see it, but the by
design you really need to get your tickets
108
00:08:41.080 --> 00:08:46.120
early because it will sell out.
It is a find seven of your favorite
109
00:08:46.120 --> 00:08:50.440
friends and come on down because this
is unlike anything else in Chicago. We
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00:08:50.480 --> 00:08:54.519
love the haunts in Chicago. We
are happy and joyful to be part of
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00:08:54.519 --> 00:08:58.639
that community. Finally, and yeah, this is something else. If you
112
00:08:58.759 --> 00:09:03.080
have to pick something, come see
this. Today's episode was produced and edited
113
00:09:03.159 --> 00:09:07.960
by me Philip Hernandez, with post
production by David Swape and original music composed
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00:09:09.000 --> 00:09:13.080
by Chris Thomas. We're counting down
to Halloween with daily podcasts, videos,
115
00:09:13.080 --> 00:09:16.720
and events in our sixty one day
Hauntathon. Follow along at the link in
116
00:09:16.759 --> 00:09:20.360
our show notes. Our Hantathon is
made possible through generous support from Gantum,
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00:09:20.440 --> 00:09:24.440
Lighty and Controls. Gantum illuminates attractions
worldwide with the world's smallest intelligent spotlights.
118
00:09:24.840 --> 00:09:30.000
See what you're missing with a free
demo. Sign up at dantum dot com
119
00:09:30.039 --> 00:09:35.759
slash demo that's Gantum dot com slash
Demo. Our Hauntathon team includes Daryl Plunky,
120
00:09:35.879 --> 00:09:41.320
Emily Luis Rua, Megan Spells,
Gavin Burns and Omni Adventures and Our
121
00:09:41.360 --> 00:09:46.720
content partners for this year include Attractions
Magazine, Creepy Kingdom, Freaks of Ajgen,
122
00:09:48.039 --> 00:09:52.120
hont Topic Radio, Kevin Heinbach News
TV On, The Adventures, Scare
123
00:09:52.159 --> 00:09:56.519
Track, Sharp Productions, That Halloween
Podcast, The Horror of Being, Emily
124
00:09:56.799 --> 00:10:01.200
The Scare Factor, and This Weekend
with Nick Pegiocchini. The best way you
125
00:10:01.240 --> 00:10:05.720
can support us this hall Wed season
is by sharing our Haunted On with someone
126
00:10:05.759 --> 00:10:07.519
you think we'll enjoy it, and
to follow along to our Haunted On,
127
00:10:07.799 --> 00:10:13.799
sign up for our weekly newsletter at
hant Attraction Network dot com. We'll catch
128
00:10:13.799 --> 00:10:18.240
you back here tomorrow and every day
until Halloween. Until next time, say
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00:10:18.279 --> 00:10:24.240
Scary. This is a Haunted Attraction
Network production
1
00:00:08.560 --> 00:00:14.359
Terror Roulette, a new interactive horror
experience has debuted this fall in the Chicago
2
00:00:14.400 --> 00:00:22.719
area. That's coming up on today's
show from the Haunted Attraction Network. I'm
3
00:00:22.760 --> 00:00:26.239
Philip and this is our sixty one
day Hantedon where we're counting down to Halloween
4
00:00:26.280 --> 00:00:30.120
by celebrating Haunted houses daily, the
videos, podcasts, and thep in person
5
00:00:30.199 --> 00:00:34.119
experiences. Since this podcast is only
one part of the Hauntedthon, the best
6
00:00:34.119 --> 00:00:37.560
way to follow everything is by subscribing
to our newsletter or by going to our
7
00:00:37.600 --> 00:00:42.560
website at Haunted Attraction Network dot com
to see the list of all the new
8
00:00:42.679 --> 00:00:46.600
content we have posting. And remember
that the best way you can support us
9
00:00:46.600 --> 00:00:50.399
as Halloween season is by sharing our
Hauntedon with someone you think will enjoy it.
10
00:00:51.439 --> 00:00:57.600
Okay. Terror Roulette is a new
intimate, immersive horror experience that debuted
11
00:00:57.600 --> 00:01:03.319
this season in the Chicagoland area.
Groups of eight participants are thrust into an
12
00:01:03.319 --> 00:01:10.519
interactive story where they become the selecting
victims of a bloodthirsty secret society. At
13
00:01:10.519 --> 00:01:14.719
the heart of this bone chilling experience
is the enigmatic villain known as the Dealer,
14
00:01:14.879 --> 00:01:19.359
who literally holds all the cards.
The Dealer presides over a sinister realm
15
00:01:19.519 --> 00:01:23.239
filled with a host of maniacal slayers, each with their own killer specialty.
16
00:01:23.760 --> 00:01:29.640
Terror Roulette debuted at the Arboretom of
South Barrington and is a partnership between the
17
00:01:29.719 --> 00:01:34.280
Arboretum and IWG Entertainment. So today
we're going to sit down with Jeffrey from
18
00:01:34.400 --> 00:01:40.680
IWG to discuss what it was like
creating this event and working with a partner
19
00:01:41.079 --> 00:01:46.599
like the Arboretom. Enjoy. My
name is Jeffrey Holmes. I'm the creative
20
00:01:46.599 --> 00:01:51.879
principle for Iron Wooden Glitter, which
we sometimes go by IWG Productions, and
21
00:01:51.920 --> 00:01:57.319
we are a turnkey seasonal attraction developer, so we design, fabricate, install,
22
00:01:57.519 --> 00:02:01.280
operate. And you are developing a
new haunted attraction in Barrington this year,
23
00:02:01.599 --> 00:02:06.560
Yes, we are. We are
developing a brand new haunt concept.
24
00:02:06.680 --> 00:02:09.479
It's called terror Roulette and it's going
to be in South Barrington, Illinois,
25
00:02:09.719 --> 00:02:16.479
in the Arboretum of South Barrington.
So terror Roulette is a secret society of
26
00:02:16.719 --> 00:02:23.199
underground serial killers that have been cultivated
and brought together by the dealer and under
27
00:02:23.199 --> 00:02:27.919
the guise of going to a CD
bar, guests are going to be let's
28
00:02:27.919 --> 00:02:34.960
call it earmarked for a special intimate
serial killer interaction with a few of our
29
00:02:37.120 --> 00:02:42.599
collection. Let's call it. It's
a unique haunt in that your groupings are
30
00:02:42.639 --> 00:02:45.479
malleable. So we're going to start
you as a group of eight, but
31
00:02:45.479 --> 00:02:47.680
that doesn't mean you're going to end
as a group of eight, just depending
32
00:02:47.680 --> 00:02:52.800
on which serial killer found you most
enticing that you might find that your path
33
00:02:52.919 --> 00:02:59.479
diverges from your friends. Tell me
how you landed on that kind of mixing
34
00:02:59.680 --> 00:03:04.599
of immersive and regular traditional haunts.
You definitely use the right word immersive,
35
00:03:04.719 --> 00:03:07.919
right. We really wanted to find
that balance between immersive theater and traditional haunt.
36
00:03:09.000 --> 00:03:12.879
There are aspects of haunt that we
love, but there's aspects of haunt
37
00:03:12.919 --> 00:03:15.280
that we think can be improved upon. For me personally, I really wanted
38
00:03:15.280 --> 00:03:21.120
to find a way to create a
personal experience, something where the actor had
39
00:03:21.199 --> 00:03:25.800
a moment to really engage with you, and to be able to create terror
40
00:03:27.080 --> 00:03:30.759
that is more psychological and more practical. A lot of the directive that we
41
00:03:30.840 --> 00:03:37.080
received in starting the design was to
find a way to make it really terrifying
42
00:03:37.439 --> 00:03:40.800
and to find terror that is real. There are some people are afraid of
43
00:03:40.840 --> 00:03:45.280
ghosts, and some people are afraid
of zombies. But if I can find
44
00:03:45.280 --> 00:03:50.599
something that you could actually encounter in
the real world and magnify that in this
45
00:03:50.759 --> 00:03:54.759
haunt, there's no escaping that,
there's no suspension of disbelief because what we're
46
00:03:54.800 --> 00:04:00.319
showing you is genuine. Yes,
it's an act, it's fabricated, it
47
00:04:00.400 --> 00:04:04.159
could happen in real life, and
there's nothing more terrifying than that. Yeah,
48
00:04:04.520 --> 00:04:11.240
why is the reason you're focusing on
the individual interaction to elicit that that
49
00:04:11.280 --> 00:04:15.120
emotion from people? Is that what
we're trying? I think it's a combination.
50
00:04:15.680 --> 00:04:18.199
I think on one hand, we
wanted to bring something new and innovative
51
00:04:18.519 --> 00:04:23.759
because Chicago is a wonderful market,
but it's also a saturated market, so
52
00:04:23.800 --> 00:04:27.240
we wanted to find a way that
we could truly differentiate ourselves. But also,
53
00:04:27.360 --> 00:04:30.680
yes, our directive was create something
truly terrifying, and so we dug
54
00:04:30.720 --> 00:04:35.600
deep to say, Okay, what
is truly terrifying? And reality can be
55
00:04:35.680 --> 00:04:41.120
quite terrifying. I know that you
all didn't start doing auditions until back in
56
00:04:41.439 --> 00:04:45.680
June, and then you started building
shortly after that. That's a short window
57
00:04:45.839 --> 00:04:49.920
for this new experience. Tell me
about that. Tell me about that.
58
00:04:50.399 --> 00:04:54.800
Sure, when you actually start to
build the Haunt, you need to have
59
00:04:54.839 --> 00:04:59.040
a really good idea what you're doing
right. There's nothing worse than starting to
60
00:04:59.040 --> 00:05:02.279
build something and then suddenly it's changing. Yes, we definitely auditions were in
61
00:05:02.360 --> 00:05:08.240
June. We had amazing outcome,
some really incredibly talented people. You just
62
00:05:08.319 --> 00:05:10.639
wait till you see them. They
are so good. And yeah, the
63
00:05:10.680 --> 00:05:15.480
build. The audition process and the
build process are relatively simultaneous. But the
64
00:05:15.120 --> 00:05:19.759
actual development of the Haunt has been
going on for over a year now.
65
00:05:20.079 --> 00:05:25.959
There has been ideation and rewrite and
play testing of how could this actually work.
66
00:05:26.279 --> 00:05:30.839
Yes, we are We definitely had
a fast build, but it is
67
00:05:30.040 --> 00:05:34.040
it's a very focused build and so
what is really refined to what we want
68
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to achieve. You come from a
production company, basically, it's very different
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for a production company to become an
operator. Tell me about that decision.
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We had a really great partnership opportunity
here in Chicago, and part of that
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agreement was that we would also operate. And we have an amazing staff that's
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led by Jimmy Langa, who came
from some other operations, has done some
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incredible things. Everyone in our company
has years of experience in all aspects of
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the project. For us, it
really wasn't much different it is. You're
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right, it is unusual, but
we are very our talents are very wide.
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We can take a project from just
creative leadership all the way through turnkey
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install and operation and everything in between, from design to fabrication to any kind
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of IP development. For us,
it really wasn't that big of a deal.
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We're more excited about the uniqueness of
the project. It's something that frankly
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hasn't really been done before. When
did you make the decision? I understand
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we have a partner here and you
have all that kind of stuff, but
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like, how did you make the
decision? What was the moment where you
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were like, we're going to do
a haunt. We were invited to have
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a conversation probably a year and a
half ago, and so we flew out
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and we had a conversation about both
creative desires and business desires, and we
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use that conversation as an opportunity to
say, Okay, what is feasible?
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What is possible? Our company always
starts with what's called the concept and feasibility
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study. We always look at all, right, do you have a vision
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and if you do, what would
it take to create that vision and is
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it worth it to you or if
you don't. Sometimes I just want a
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thing we come and look at and
go all right, what is possible for
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a certain budget or a certain area. So we did a lot of early
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research to help show our now partner, is what they want feasible? Is
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it going to generate the attendance that
they want? Does the budget they want
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to spend match the outcome they're hoping
for? And so as we develop that,
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we get more excited about the project, they get more excited about the
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project. And then we ultimately presented
a concept and a feasibility of saying this
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is what it would take to do
it, and we got we were greenlit.
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00:08:00.199 --> 00:08:01.519
From that point on, it was
all it was full steam ahead.
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00:08:03.319 --> 00:08:07.360
We're working with the Arvorinum of South
Barrington and so it's their property they're building,
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00:08:07.600 --> 00:08:13.000
and they are awesome. They are
some of the greatest partners to work
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00:08:13.000 --> 00:08:16.839
with. They are so enthusiastic,
so helpful, and you mentioned the thing
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about Chicago, right, They know
Chicago and so working with them has been
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an absolute joy. Tarror Lette opens
on September twenty first, and this open
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00:08:26.319 --> 00:08:33.320
Thursdays through Sundays. Get your tickets
online at tarrorulett dot com. In all
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00:08:33.320 --> 00:08:37.440
serious is though tarror Let is an
exciting attraction and we really want people to
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00:08:37.440 --> 00:08:41.080
come see it, but the by
design you really need to get your tickets
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00:08:41.080 --> 00:08:46.120
early because it will sell out.
It is a find seven of your favorite
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00:08:46.120 --> 00:08:50.440
friends and come on down because this
is unlike anything else in Chicago. We
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00:08:50.480 --> 00:08:54.519
love the haunts in Chicago. We
are happy and joyful to be part of
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that community. Finally, and yeah, this is something else. If you
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have to pick something, come see
this. Today's episode was produced and edited
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00:09:03.159 --> 00:09:07.960
by me Philip Hernandez, with post
production by David Swape and original music composed
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00:09:09.000 --> 00:09:13.080
by Chris Thomas. We're counting down
to Halloween with daily podcasts, videos,
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00:09:13.080 --> 00:09:16.720
and events in our sixty one day
Hauntathon. Follow along at the link in
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00:09:16.759 --> 00:09:20.360
our show notes. Our Hantathon is
made possible through generous support from Gantum,
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00:09:20.440 --> 00:09:24.440
Lighty and Controls. Gantum illuminates attractions
worldwide with the world's smallest intelligent spotlights.
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00:09:24.840 --> 00:09:30.000
See what you're missing with a free
demo. Sign up at dantum dot com
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00:09:30.039 --> 00:09:35.759
slash demo that's Gantum dot com slash
Demo. Our Hauntathon team includes Daryl Plunky,
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00:09:35.879 --> 00:09:41.320
Emily Luis Rua, Megan Spells,
Gavin Burns and Omni Adventures and Our
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00:09:41.360 --> 00:09:46.720
content partners for this year include Attractions
Magazine, Creepy Kingdom, Freaks of Ajgen,
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00:09:48.039 --> 00:09:52.120
hont Topic Radio, Kevin Heinbach News
TV On, The Adventures, Scare
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00:09:52.159 --> 00:09:56.519
Track, Sharp Productions, That Halloween
Podcast, The Horror of Being, Emily
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00:09:56.799 --> 00:10:01.200
The Scare Factor, and This Weekend
with Nick Pegiocchini. The best way you
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00:10:01.240 --> 00:10:05.720
can support us this hall Wed season
is by sharing our Haunted On with someone
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00:10:05.759 --> 00:10:07.519
you think we'll enjoy it, and
to follow along to our Haunted On,
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00:10:07.799 --> 00:10:13.799
sign up for our weekly newsletter at
hant Attraction Network dot com. We'll catch
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00:10:13.799 --> 00:10:18.240
you back here tomorrow and every day
until Halloween. Until next time, say
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00:10:18.279 --> 00:10:24.240
Scary. This is a Haunted Attraction
Network production

























